New Year Giveaway!

It’s almost a new year, and that means lots of promises (as previously discussed) but especially about improving and changing the outlook of our creative work. It’s a chance to refresh and get fresh about old feelings about old things, like your camera skills and your creative processes, and so on. I’ve got 2 books from Wiley Books that I think would be verrrrrrry useful to the average photographer looking to pick up some more skills.

The first book I have is Exposure Photo Workshop. This is a very nice book on the basics of photography and exposure. It’s perfect for someone who is just starting to explore photography and what light means to taking photographs.  Description from their website:

Capturing an image and getting the right exposure is critical and Jeff Wignall recognizes exposure as the secret for creating an image that captures a vision and shares it with the world. When you apply his techniques with patience, experimentation, and a focus on the outcome, you will begin creating images that reveal not only what you saw, but how you felt when you saw it. In fact according to Shutterbug magazine Exposure Photo Workshop “may be the best book yet written about exposure.” By learning to work with natural light as well as when to use flash you will confidently capture action, night scenes, rainbows, sunsets, and reflections like never before. With stunning images, Jeff Wignall shows you how to perfectly expose pictures in even the most challenging existing light conditions, including poor weather, using a flash, and even a section guiding you through using multiple wireless flash units. You can upload your own images to Photoworkshop.com and get feedback from other photographers.

Wignall starts by explaining the fundamentals of exposure and why it’s important. This leads into learning the basics of exposure controls. By the end of chapter 2, you will know how to control the exposure on your point-and-shoot or digital SLR camera. Chapter 3 walks readers through measuring light using just about any light meter and Chapter 4 delves into lens apertures and depth of field. The focus moves to shutter speed and subject motion. After Chapter 6, you’ll have the knowledge and confidence to turn off your camera’s automatic settings and take manual control. Wignall then examines natural light exposures, discussing the intricacies of light quality, light direction, and time of day. As you approach more advanced exposure options, you’ll need the troubleshooting advice provided in Chapter 8, covering difficult situations such as metering challenges, handling contrast, and creating dramatic silhouettes. With more advanced techniques mastered, you can then approach night and low-light conditions and then examine special considerations such as the weather and natural phenomena. The book finishes strong with a comprehensive look at all things flash photography.

The second book I have is Kevin Kubota’s Lighting Notebook (101 Lighting Styles and Setups for Digital Photographers). The great thing about this book is that it literally takes through a bunch of photos and tells you how he got it, and what his settings were, what the lighting set-up was, what post he did; basically takes you through every step though various photos. It’s really helpful for those that have trouble learning look through intuition and prefer a step-by-step play of how certain types of images were created. The lacking part is that because this is all one photographer, the styles are all similar. If you’re into wedding or portrait photography, this book will be perfect for you, but if you’re into more esoteric, fashion, or photojournalist styles, this probably won’t do it. Description from the website:

Get professional advice from one of the world’s top wedding photographers Creative use of lighting is a hallmark of quality photography. Kevin Kubota has been listed among the world’s top 10 wedding photographers by American Photo magazine and named a Legend Behind the Lens by Nikon. This guide features dozens of his unique lighting and post-production recipes and techniques, each illustrated with a spectacular image.

  • Author Kevin Kubota enjoys a cult-like following among professional photographers and has earned numerous accolades for his talent
  • Includes the author’s unique lighting and post-production recipes and techniques that reinforce the theory that good lighting is the key to quality photography
  • Presents a number of shooting scenarios with behind-the-scenes setup, a description of the photographer’s objective, the equipment used, and the resulting image for each
  • Features a companion app that will enable the photographer to search and find lighting suggestions by subject, style, budget, equipment, and other guidelines, all while in the field

Kevin Kubota’s Lighting Notebook for Digital Photographers is almost like having the famous photographer sharing his secrets with you one on one.

Giveaway Details:

I always try to think of cool giveaway ideas, but I’m pretty bad at it. But since we’re all looking to improve ourselves, and that’s what these books help with, I’d like for you to post a comment with a photo (or link to a photo) of yours from this year, and also post a self-critique of how you could have improved that photo, as well as which book could help you out best in the future. On January 9th, I’ll  pick two people to send their desired book to! US & Canada only please.

Happy New Year and my best to everyone for the new year!

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Typical Photographer New Years

I always see a certain flavor of promises from photographers when it comes to the new year. Instead of weight loss and feel-good goals, you get promises like:

1. Promise to do a photo-a-day for every day next year (give up by day 32).

2. Make a list of all my favorite photos from the previous year (which just ends up being all the most recent shots from the portfolio).

3. Promise to spend less on gear and spend more time on improving technique.

I’m guilty of every one of those :) This year though, I’m pretty busy with moving my life forwards already, and finally getting that personal style nailed down (huge long term goal of mine), and actually very happy with everything going on! What kind of goals have you made for yourself (have you achieved them?) and what kind of goals are you making for the new year?

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A Couple of Artists Art Fair at Rabbit Hole Art Gallery

Top 3 camera prints are my work

I’ve been up to some stuff lately, and four of these stuffs are hanging out over at Rabbit Hole Art Gallery (33 Washington St in Dumbo/Brooklyn, NY). If you’re in town for the season, it’s a great place to check out, very close to where you finish walking over the Brooklyn bridge.

If you’re looking for the best day to go, well on Dec. 17th 7-9pm there will be two live bands (Slow Dance & Color War), as well as Brandon Sciarrotta the DJ — oh yeah, did I mention that there’ll be a hot toddy open bar too? Yep, I’m pretty sure that clinched it. More info all around: http://www.acoupleofartists.org/blog/ Continue reading

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Photo Update: NYC, a Beautiful December Day

 

Continue reading

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Photographer Gift Ideas!

This is a list I like to do because let’s face it, buying things for photographers is hard and usually ridiculously expensive. You don’t want to buy someone lenses or cameras or accessories, especially if you don’t know what they use, prefer, or have.

Things not to get photographers unless you’re really familiar with their set-up and style:

  • lenses
  • filters
  • lights
  • backdrops
  • bags

The things these all have in common is that they’re all very personal & expensive items, which makes it difficult to shop for for someone else. Each person will have different preferences, and buying useful gifts from this list will be very pricey! Here are some safer and more inexpensive choices:

Photojojo is one of my FAVORITE camera-themed stores. The endless awesome photography themed things are always being added. Some of the items can be a little gimmicky, depending on the giftee, but here are some of my current favorites which I think are cute and geeky:

Lens Pillow $59 each

These lens pillows are really cute! They’re pillow versions of some of the common lenses that most every photographer has. If you know nothing about photography, ask your giftee if they use Canon (the one on the left) or Nikon (the one on the right) to figure out which to give them. If they use Pentax or Olympus or whatever, you probably shouldn’t get them anything, just as a punishment (just kidding haha).

Camera Lingo Necklaces $20 each

Now these are really cool, as an especially geeky-thing. I personally like the no-flash symbol, since that’s the first thing I always set on a point and shoot. But I’m also a RAW shooter so CR2 for me. I think it would be cute to have one that was “DNG <3″ in case you’re a big fan of all-brand love. Make sure you don’t get the wrong one if you’re giving one as a gift (no-flash= everybody, CR2=canon, NEF=Nikon, JPEG= usually sports shooters) or there could be some hurt feelings. Us photographers are sensitive about things like this.

Petapixel, great photo news blog, also has a small store. I hope they add more stuff as time goes on :)

Camera Stickers $5 for 3 sheets

These are great for a casual friend or part of a larger gift. So many camera themed pixel stickers, and at a good price too. I love stickers and I wasn’t able to use them all, so you definitely get what you pay for~ I’ve decorated my lens hoods, my storage drives, notebooks, pretty much anything you can stick an adorable sticker on.

Really practical gifts:

32GB CF card ~$60 on Amazon

CF cards or other blank media is a great, practical gift for a photographer. Find out if they use an SD card or a CF card or whatever, and then just get the biggest and best in your price range. Don’t know what card they shoot with? Get them a portable hard drive! Film shooter? No problem! Get them a film binder and archival sleeves, everyone always needs more.

Gaffers tape, ~$12 on Amazon

 Gaffers tape is really expensive, really useful tape for photographers. Stage-people know how useful this stuff is. It’s better than duct-tape and also quite expensive for tape. Kind of like socks, it might not be something to be excited about, but thankful for later. You could add this as part of a gift-basket for photographers, or buy a bunch of rolls for someone who’s appreciative of sock-type gifts.

Got any more ideas or need some help deciding/picking? Well, there’s always gift cards… but comment and I’ll help you out :D

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How To: Lighting Food

Food photography is at a really interesting place right now, especially as artisinal/fancy/serious culinary art becomes more mainstream. It used to be that food photography was incredibly manufactured. Take a look at old food magazines and you’ll see what I mean. The food looks plastic, because it is. Food stylists would glue, sear, pin things down. To an extent, there are tricks that are still in use today, but the style has definitely moved towards more natural and artistic portrayals of food.

The nice thing is that this actually makes it a bit easier on the photographer (to an extent). It makes the lighting simpler, though the timing a bit rougher. When you’re dealing with real food, you have a limited amount of time; you’re limited by the food itself, whether it stops steaming, wilts, or melts. But yeah, aside from that, great food lighting is pretty simple.

Here’s the big secret: Continue reading

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News/Cool Stuff/Links!

Here’s my randomly updated round up of interesting links/news/etc lately:

If you haven’t heard, this photograph by Andreas Gursky set the new record for the most expensive photograph at 4.3 million dollars. Still, just chump change compared to the rest of the art world. Also interesting because many people say this photo is boring. I think with the context of the artist, the size of the photograph, and the actual, you know, photo, it’s quite interesting and very much worth whatever someone wants to pay for it.

I got a press release for this one, but promptly forgot about it. Canon’s releasing an app that’s basically an idea generator for photographers. Not social (surprising!) but maybe it will be? After all, I may never get a chance to re-do Dovima and the elephant underwater, but maybe someone else could use the idea.

KEH Blog talks a little about “grey market” equipment, and what exactly that means. Personally, since the discount usually isn’t that significant, I just buy US market to have the warranty. But I find it’s usually not that big of a deal, and if I’m busy used from KEH, they have a great return policy and are super nice.

Build your own monitor hood— it looks nice too! Or be like me and edit in the dark.

This is a very cool video about a photographer who has a 4×5 camera workflow, and he briefly goes over the basics of large format and his printing workflow. I swear, all photographs look better HUGE.

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PDN PhotoPlus Expo 2011

Photos by Jason Siegfried

This is my favorite time of the year! Not only is it my birthday every year, but I get to go check out all the new and exciting gear at the PDN Photoplus Expo! This year I only stopped by for a brief amount of time, but there was still definitely buzz surrounding some big releases. Check out the highlights:

The 1DX was what pretty  much everyone came to see. It was situated so that you couldn’t miss it the moment you walked in. There was a huge crowd, all wanting to play with it. You can see the shell of the camera there on the bottom shelf. The thing is definitely a beast, and the culmination of technology that no longer has to pick between speed (1D line) and quality (1Ds line). I didn’t get to play with it much, but it definitely seems like a formidable addition to the Canon professional line. Whether you need all that power (and you will need computing power to edit the stuff out of this camera that’s for sure) is a whole ‘nother story, but it’s cool that it exists. Continue reading

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Cinemagraphs

“Cinemagraph” is the term that’s been created to refer to these half-still half-moving images. I tried my hand at making one, and it’s a lot of fun. I may try to write my own tutorial in a bit, since I found it difficult to find one that addressed the how-to as well as tips on how to make decisions on what to animate and where to mask, etc.

I definitely plan on trying out some more subjects, especially ones that don’t require cat treat bribes to stay within one focal plane for more than a second.

Check ‘em out:

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Tips for Wielding the Liquify Tool

A taste of how Liquify can change body form- Extended neck, thinner shoulders, bigger eyes, smaller nose... all these things can change the way someone looks significantly.

The Liquify tool, if you aren’t aware, is found under Filters. It’s pretty easy to understand. There’s little buttons on the left that allow you to shift things around in different ways. You can shift visuals in the direction you push, you can balloon it out, or balloon it in. You can even make it all swirly!

But! the liquify tool is pretty dangerous. It’s really easy to make things look unrealistic, it’s easy to take things too far. It takes a little practice to use it efficiently, but once you got things going, it’s really very useful. But there’s no other way around figuring out how to use it other than practice, practice, practice. Here are some tips to help you get going.

1. Know what people look like. I don’t mean that in any kind of weird way. How do artists, even cartoonist draw people? It’s by knowing what an actual person looks like, proportions, lengths, etc. This is really important because you have to make sure that you don’t change body shapes or proportions beyond what normally occurs in the human body. Understand where ribs end and where hips start. Many a photoshop, even in advertisements (lookin’ at you Victoria’s Secret) is done by a person who doesn’t know the first thing about how a woman is proportioned (no you can’t slim her belly down so far that she’d have to have broken ribs to really look like that).

2. Watch your patterns. Anything with a pattern (including human skin) will give the telltale sign of the liquify tool. That’s why it’s important to watch all your patterns so that no obvious indications are given away.

3. Use an appropriately sized circle for what area you’re liquify-ing. For example, if you want to tuck someone’s side inwards a little bit, the circle should be the size of the entire area, so you can do it in one fluid motion. If you try to do a bunch of tucking motions with a small circle/brush/thing, you’ll end up with a lumpy weird looking side.

4. Know when to use it. In the photo at the top, I didn’t need to use the liquify tool. I did anyways, just to have an example, but it definitely wasn’t necessary. Keep in mind what kind of body imagery that you’re creating, and what kind of message you’re sending to the world. I suggest avoiding liquify if you just want “make someone look thinner” because it’s dangerous to go down that line of thinking and eventually you’ll end up with those crazy photoshopped models who can’t exist in real life.

5. Subtle changes are best. You can’t make a 500 lb person look like they’re 100 lbs. But you can make them look pretty good for their weight. You can’t make a tense person look totally at ease. Liquify is not a fix-all tool, and it should be never treated as such. But subtle changes do go a long way, and this is something that takes experience. Along with tip #1, study expressions, and the subtle things that make people look like different expressions.

Practice, and good luck! Feel free to ask any additional questions about liquify in the comments.

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